Reactor

Reactor blog

Last night I met Max Gold – David Burrows

Jul 15, 2024

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Looking back on two exhibitions Here, the Gold Ones flatter (2022) and Here, the Gold Ones meet (2021), Bonington Gallery commissioned a text by David Burrows released here alongside a single screen edit of the flatter film.

Last night I met Max Gold. This was unexpected as I was at the party celebrating my 100th birthday, invisible to all, feeling sad and sorry for myself (because I could see that I was not in good shape and not long for this world). But I was happy to hear the nice things friends and carers in the care home were saying about me, and enjoying the kind words of (very important) people I had never met before, paying me an unexpected visit. I have had this dream before, several times, but never with Max making an appearance. Max can see me though (in my dream)! Max can see the invisible me (not the me, sitting at a table full of food, shaking hands, exchanging pleasantries). I know this because Max crept up behind me (the invisible me) to deliver a message to my right ear, ‘The fear of loss is a strong motivator… Stronger than the opportunity to gain or change…’ I remember distinctly thinking I have heard these words before but couldn’t place where and when. I looked behind me and couldn’t see a soul but still whispered, ‘Max?’ (Somehow, I knew it was Max Gold who had spoken, a figure or entity that I associate with the art collective Reactor.) Again, with words familiar but not placeable, Max spoke, and with increasing conviction, saying this fear (of loss) was not their own fear. Max was in the zone. Max was the prize. Normally this recurring dream of mine ends after guests praise my stoic acceptance of a life lived less successfully than I might have hoped for, shedding tears at my constant ploughing of a furrow no matter what, which brought reassurance to everyone who counted me as a friend or acquaintance. This part of the dream – the best bit – did not happen. Instead, everyone turned their attention to Max, now materialised as a golden egg (though this description does not do justice to the Gold One – egg-shaped with tentacles, a flickering mouth and rippling, golden skin). On viewing this apparition, I wondered whether this was my dream or, indeed, whether I was in Max’s dream? Was Max in my head, or was I in Max’s head, or were both of us in a stream of thoughts in another head. Or maybe Reactor had hacked my unconscious?

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IVAN POE RELEASES 1 JUNE 2023

Feb 06, 2023

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IVAN POE RELEASES 1 JUNE 2023 8AM. Wishlist on STEAM

Ivan Poe is a third person find-your-way puzzle adventure following this cuboid character as they keep truckin' on through the Cosmic Soup

Please feel free to share gameplay on social media and tag us so we can reshare. 

TESTCARD

Sep 24, 2022

TESTCARD
24 SEPTEMBER FROM 02:00(BST) - 25 SEPTEMBER 02:00(BST)
www.t-e-s-t-c-a-r-d.com

TESTCARD was a programme of artists moving-image that takes the format of a 24-hour TV variety show which included a combination of live and pre-recorded material to draw on the history of radical and public broadcasting, open publishing and transmission. The first TESTCARD event took the model of mid-late 1990’s and early 2000s popular TV variety programmes like ‘MTV’, ‘Diggit’, ‘TV with Ray Cathode’ and ‘Live and Kicking’, to create a single streamed event that counters the culture of on demand content and engaged in the history of artists' DIY broadcasting and transmission projects including TVX/London Art Lab, Paper Tiger TV,  Radio Anti and Convex TV.

Reactor took the graveyard slot(s) at either end of the broadcast. Viewers could turn on, tune in and drop out with our TV TESTCARD, fall asleep to our soothing tunes, allow the messages to wash over them, and wake up for the punchline!

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Here, the Gold Ones flatter - Bonington Gallery

Feb 23, 2022

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Here, the Gold Ones flatter
Bonington Gallery
EXHIBITION: 26 March-21 May 2022
PREVIEW: Friday 25 March, 5-8pm
PERFORMANCE: Saturday 7 May, 10-4pm

It is happening again.
Here, the Gold Ones were.
We’ve heard that before.
But this time it was flatter.

So, as we were saying.
It’s an original story.
No, this is an origin story.
Everyone already knows this.

Everywhen, here and there.
This is what we always said.
Mis-shaped and not in proportion.
As though seen for the first time.

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IMT Digital Residency

Jan 01, 2022

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Digital Residency
IMT Gallery
2022

Across 2022 we're part of the IMT Digital Residency with Orphan Drift, Reece Griffiths & Ellie Towers, Bijan Moosavi, I. Nakhla, Frankie Roberts, and Rieko Whitfield.

If you want to delve behind-the-scenes and experience the processes involved in the artistic practice of seven artists/artist collectives, check out IMT Gallery to receive monthly 'art releases'.

The residency is coalescing around key threads, built in collaboration with the resident artists and narrated by IMT, including embodiment, fictioning, site-specificity and psycho-geography, and will develop a range of online and physical events across the year.

A taste for the old school is now settling in under your skin and you stick on a video, a trailer invites you to follow the Gold Ones. Reactor’s alternative histories bring new mythologies and approaches to living, you look around your apartment imagining interior decor, perhaps even a kitchen refit. Then a very self-assured voice offers you the chance to boost your luck.

Reactor Halls E21: Monstrous Assemblage

Sep 17, 2021

Reactor Halls E21: Monstrous Assemblage
Dirty Electronics + Special Guests
Saturday 6 November, 19:00-21:30

Book here

A performance-installation and celebration of collective making, group work, physicalised algorithms, emergent-instruments-created-on-the-spot, messy materials and dirty sound. The group will build a performance environment using sound objects, found materials, electricity, DIY synthesisers, magnetism, flickering light and uncertain action.

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